Category Archives: Writing

Words for the ages

“Not really” is the new “No.”  Or so I thought before running across this encyclopedic account. While you (we) are at it (I?), consider the New Yorker cartoon by Edward Koren cited in Times Literary Supplement, 9/23/11 (but earlier in a textbook, Philosophy: An Introduction to the Art of Wondering, by James L. Christian, originally [...]

Green line tears and a wallop, don’t hone in, angelic SOS

* On Green Line: At Madison and Waa-waa-waa-Wabash, baby crying wickedly.  Oh for a nursing mother (who can quiet a kid in seconds).  Nothing doing, bottles visible on stroller top from other end of car.  Young mother and wailing child debark at Clark.  Man in hoodie to someone across aisle, commiserating: “I feel sorry for that [...]

Short ‘graphs and menace

“Occasional, short, italicized paragraphs . . . with undercurrent of menace, gives . . . powerful and immediate tone,” says reviewer in Times Literary Supplement of The Mirador, dreamed memories of her mother. It struck home with me as what I’d like to do with my various books in the hopper, in the writing of [...]

For whom the writer writes

Paul Elmer More on Emerson: Where [his essays] fail to reach the reader’s heart, it is not so much because they are fundamentally disjointed, as if made up of sentences jostled together like so many mutually repellent particles [he wrote from his journals]; as because from the manner of his composition Emerson often missed what [...]

Nobel winners, Oak Park socialist

Something literary: William Butler Yeats got a Nobel prize in 1924, and the British literary establishment objected.  Ezra Pound said do it again, that is, elect another Irishman, namely the exile James Joyce, whose Ulysses had been stopped in both U.S. — 500 copies “seized and burnt in Washington” — and Britain — “another 500 [...]

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